PREZENTÁCIA PRÍSPEVKOV 7. a 8. októbra
Sobota 7. október

9.30 – 12.30

Susan Cash /Canada/: „Moving Space – Making Place“
Ellen Goldman /USA/: „ Shape is not separate from content“
Hilary Bryan /USA/: „Who Wants to Fight? BodyMind either/or and/or both/and“
Valerie Preston Dunlop /Great Britain/: „Laban Centre_s Choreological Perspectives“
Jeffrey Longstaff /USA/: „Prototypes and deflections in spatial cognition and Rudolf Laban_s choreutics“

14.30 – 17.30

Jeffrey Longstaff /USA/: „Laban Analyses: Creating an online database for Laban Movement Studies“
Charles Gambetta /USA/: „Laban Movement Analysis for Conductors: Revealing the Equivalence between Movement and Music“
Johan Stjernholm /Sweden/: „Doing the Mathematics: Choreography, Laban, Space Harmony and Music“
Andre Austvool /Norway/: „Pedestrian Camera Motion“
Esther Geiger /USA/: „Laban Movement Analysis as a tool for developing Audio Description: Making the Arts Accessible to People who are Blind“
Megan Reisel /USA/: „Dance speaks where words cannot“Sunday,

Nedeľa 8. október

9.30 – 12.30

Liz Maxwell /USA/: „University Dance and De-Evolution of a Modern Dance Language“
Darren Royston /Great Britain/: „Using a Laban Approach to make Physical the Historical: an application of Laban_s spatial theories to the teaching of period dance as dramatic art“
Cibele Sastre /Brazil/: „Laban Creative Studies with a Brazilian Group“
Antja Kennedy /Ireland/Germany/: „Pina Bausch_s Le Sacre du Printemps – Movement Analysis with the Laban/Bartenieff Framework“
Nigel Stewart /Great Britain/: „The Saturated Moment: Choreographing Virginia Woolfˇs The Waves through LMA“

14.30 – 17.30

Jennifer Mizenko /USA/: „Creating 3Dimensional Characters Through the application of Space / Harmony“
Kedzie Penfield /USA/Great Britain/, Judith Steel /USA/: „Aplication of Laban Movement Analysis to A Movement for Actors Training Program“
Ciane Fernandes /Brazil/: „Bodies beyond borders: Laban_s Dance Theatre and Contemporary Intercultural Performance“
Karen Studd /USA/: „Accessing the Meaning in Movement: Making the case for a Laban based curriculum component in Performing Arts Education“
Ligia Tourinho /Brazil/: „Notes about the Concept of Corporal Dramaturgy: The contemporary scene and the poetic construction of movement“